SoulTube

by Robby Baier

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1.
Seriously 04:21
SERIOUSLY don't look for me,baby, I'm going out driving your stuff is so heavy, baby, I'm barely surviving you've got the fire that's so hard to handle you pull out your gun and baby, then you blow out the candle I can taste it, you're raw are you seriously more than just into me? don't look for me, baby, I'm still out driving can't make no rhyme or reason of your slipping and sliding so comfortably rude, I know, baby, you're raw I sit behind my wheel and I know I ain't gonna get that far cause I love you, I love you, you're raw are you seriously more than just into me? when I'm back on your street on your doorstep and we meet in the hall I will see if you still are like the one in my car with a gun to my heart or if you understood what you're doing to this man what you're doing to this man are you seriously more than just into me?
2.
RIGHT ON TRACK if you want this man to go with all his things on out the door well you're right on track, baby cause all you do the live long day is suck on the tube and wait for me well you're right on track, baby yes you're right on track baby we're near the end now it's just a matter of time oh you're right on track, baby if you want to be alone with your needle and your crooked spoon well you're right on track, baby cause I won't stand for another day feeling sorry for your sorry fate oh you're right on track baby we're near the end... baby, baby it's just a matter of time (in a single bed, somewhere in my head you're slipping through my mind, but you're so hard to find in a single year, in between the tears you've been slipping from my mind, but you were so hard to find we're at the end of the line, there will be no more signs it's just a matter of time now) we're near the end now it's just a matter of time oh you're right on track, baby...
3.
Anchorage 03:17
ANCHORAGE sailing an ocean of you, your spray is on my skin and the flags on my mast are flying high again in my sailor's attire I should search the view for shores but up there on deck with a fin I dance between the ores sailing an ocean of you anchorage, I found anchorage I've been adrifting alone for a long long time anchorage, you're my anchorage it's funny, but I don't mind the waves this time (sailing an ocean of you) sailing an ocean of you I never call my friends (no more) I bathe in the wake of your waves and all the rest descends into the pull of your tides where all is green and blue sailing an ocean of you anchorage, I found anchorage I've been adrifting alone for a long long time anchorage, you're my anchorage it's funny, but I don't mind the waves this time (sailing an ocean of you)
4.
5.
Weeping Eyes 03:44
WEEPING EYES hey babies, don't you worry I'm behind the wheel Big Daddy got you covered you know the drill start walking down the strip and get your boys to pay we've got to score tonight and it's getting late yeah the streets are rough yeah, ain't much room for love how I wish that we could ride the morning train make it swiftly down the tracks and start again but as it is it's tough enough just to get by and it's so hard to see through weeping eyes hey babies hand them over pass on the bills Big Daddy gonna score now, get us some pills yeah the streets are rough yeah, ain't much room for love how I wish that we could ride the morning train make it swiftly down the tracks and start again but as it is it's tough enough just to get by and it's so hard to see through weeping eyes
6.
In My Car 02:48
HERE COMES HER MAN there's so many ways how you can tell that she's no ordinary girl she's sitting on the street like she's got someone to meet oh, she knows just what she's worth I'm sitting with my cup in a back street coffee shop and I'm looking at her through the glass but here comes her man and he's looking good in his beetle boots and I'm wondering if she's happy now that here comes her man just when I'm starting to believe it's me she suits and I'm wondering if she's happy now here comes her man it's times like these when I wish time would freeze cause I could look at her all day but she's a wanted girl and I won't get no turn and now he's taking her away I'm stuck here with my cup in the back street coffee shop and she's looking at me through the glass but here comes her man and he's looking good in his beetle boots and I'm wondering if she's happy now that here comes her man just when I'm starting to believe it's me she suits and I'm wondering if she's happy now here comes her man
7.
Dead End 03:07
DEAD END this is where she used to stand her body a special in a close-out sale. and the guys still drive on by slow like a crawl in their four wheel jails. but she won't come around here no more 'cause her blood spilled on satin soon she'll be forgotten. here it comes here it falls love and all it's a dead, dead end. it's a question of intent when the cut in your life line becomes too hard to mend. but if there was substance to desire slightly diluted I'd heat it and shoot it. here it comes here it falls love and all it's a dead, dead end.
8.
WARNING SIGNS I used to have a woman for many a year I used to kiss her feet but now she's with another and I'm in the cafe across the street and I'm still in love yes I'm still in love with her signs, its the warning signs guess I must have missed them somewhere down the line signs, its the warning signs coffee tastes like mud without her by my side I go and ask the waitress "now what's he got that I ain't got down to a T? now I ain't used to crying so if you could would you come and comfort me? cause I'm still in love yes I'm still in love with her" signs, its the warning signs guess I must have missed them somewhere down the line signs, its the warning signs coffee tastes like shit without her by my side
9.
ROOM IN MY CHEVY she had 666 riding on her shoulder and there was blood on this dirty street up in North Dakota it's all right, it's all right you just toss your praying beads aside I got some room in my chevy for you hitchhiker I found a 22 as I was looking her over I found it sitting down deep in her boot and I bet she knew how to hold her its all right, it's all right I didn't mean to make a grown girl cry I got some room in my chevy for you hitchhiker its all right, it's all right I didn't mean to make a grown girl cry I got some room in my chevy for you hitchhiker
10.
11.
Mother 03:37
12.
Bombs Away 04:33
13.
FRIEND FOR LIFE if your eyes should fail i will lead you home and if bad winds should prevail I will try and calm your storm for I was born to be friend for life oh little sister don’t you cry I have seen your light and I have stood next to your power and as these days unfold you will bud into a flower and I’ll still be your friend for life oh little sister, don’t you cry little sister, don’t you cry

about

"Soultube" is Robby Baier's debut solo album. After returning from 10 years in Berlin, Germany, where he was the front man for the Rock Band "Pearls At Swine" (BMG Ariola), Robby recorded the entire album by himself in his green barn (Green House Studio). With the exception of a couple of drum tracks, Robby played all the instruments. I was hailed by critics (check his website for more info) and won him "Best New Pop/Rock Song" for "Whiskey Whiskey" at the Independent Music Awards. Several of the tracks ended up in Films and TV shows.

credits

released January 1, 1998

All Instruments by Robby Baier, except for Drums on "Right on Track" and "Room in my Chevy" by Otto Block (Pearls At Swine).
Recorded at Green House Studio in Richmond, MA in 1997.
Recorded on Analog Tascam MS16. Machine used to belong to Warthon Tiers and was used to record Sonic Youth and Dinosaur Junior.
Photos by Carol Gingles, Mixed and Mastered by Warren Ammerman of Rotary Records.

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Some rights reserved. Please refer to individual track pages for license info.

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about

Robby Baier Great Barrington, Massachusetts

Songwriter, Producer, Creator

I record, produce and write alone, with bands, with friends, for films, for you, the universe and to stay sane.

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